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Betty Boop Complete Collection Download Full Espanol Latino

Blithe cartoon graphic symbol

Betty Boop
Boop looking over her shoulder

A title card of i of the earliest Betty Boop cartoons
First appearance Lightheaded Dishes (1930)
Created by Max Fleischer, with Grim Natwick et al.
Voiced past
  • Margie Hines (1930–1932, 1938–1939)[i]
  • Ann Rothschild (1931–1933)[ane]
  • Harriet Lee (1931)[2] [1]
  • Mae Questel (1931–1938, 1988)[1]
  • Kate Wright (1932, 1938)[1]
  • Bonnie Poe (1933–1934)[1]
  • Alice Hamada (1934–1937)[3]
  • Victoria D'orazi (1980)[1]
  • Didi Conn (1982)[4]
  • Desirée Goyette (1985–1988)[1]
  • Mary Healey (1988)[5]
  • Melissa Fahn (1989, 2002, 2004–2008)[1]
  • Sandy Fox (Since 1991, official voice for Male monarch Syndicate worldwide)[1]
  • Sue Raney (1993)[vi] [7]
  • Cheryl Chase (2000)[8] [9]
  • Michelle Goguen (2001)[10]
  • Lani Minella (2002)[11] [1]
  • Nicole Van Giesen (2003)[12]
  • Shannon Cullem (2004)[xiii] [14]
  • Cindy Robinson (2009–present, official commercials)[1]
  • LeAnne Broas (2010)[15]
  • Alex Borstein (2014)[16]
  • Heather Halley (2014)[17] [one]
  • Camilla Bard (2014)[1]
  • Sarah Stiles (2016)[18]
In-universe information
Gender Female person

Betty Boop is an animated drawing character created by Max Fleischer, with assistance from animators including Grim Natwick.[19] [20] [21] She originally appeared in the Talkartoon and Betty Boop motion picture series, which were produced by Fleischer Studios and released by Paramount Pictures. She was featured in xc theatrical cartoons between 1930 and 1939.[22] She has also been featured in comic strips and mass merchandising.

A extravaganza of a Jazz Historic period flapper, Betty Boop was described in a 1934 court instance every bit "combin[ing] in appearance the childish with the sophisticated—a large round baby face with big eyes and a olfactory organ similar a button, framed in a somewhat careful crew, with a very small trunk of which possibly the leading characteristic is the well-nigh cocky-confident niggling bust imaginable".[23] Although she was toned downwardly in the mid-1930s equally a outcome of the Hays Code to appear more than demure, Betty Boop became one of the best-known and popular cartoon characters in the world.

History [edit]

Origins [edit]

Betty Boop made her first advent in the cartoon Dizzy Dishes, released on August 9, 1930, the 7th installment in Fleischer's Talkartoon serial. Inspired by a pop performing fashion, simply not by whatever i specific person, the character was originally created equally an anthropomorphic French poodle.[notes ane] Clara Bow is oft given credit as beingness the inspiration for Boop,[24] though Fleischer told his artists that he wanted a caricature of singer Helen Kane, who performed in a fashion shared by many performers of the twenty-four hour period - Kane was also the i that sued Fleischer over the signature "Boop Oop a Doop" line.[25] Betty Boop appeared as a supporting character in ten cartoons as a flapper girl with more heart than brains. In individual cartoons, she was called "Nancy Lee" or "Nan McGrew"—derived from the Helen Kane film Dangerous Nan McGrew (1930)—usually serving as a girlfriend to studio star Bimbo.

Within a year, Betty made the transition from an incidental human-canine breed to a completely man female grapheme. While much credit has been given to Grim Natwick for helping to transform Max Fleischer'due south cosmos, her transition into the cute drawing girl was also in part due to the work of Berny Wolf, Otto Feuer, Seymour Kneitel, "Dr." Crandall, Willard Bowsky, and James "Shamus" Culhane.[26] Past the release of Whatever Rags, Betty Boop was forever established as a human character. Her floppy poodle ears became hoop earrings, and her black poodle nose became a girl'southward push button-similar olfactory organ.

Betty was outset voiced by Margie Hines. Later, several different vocalization actresses performed the role, including Kate Wright, Bonnie Poe, Ann Rothschild (also known equally Little Ann Little), and especially Mae Questel, who began voicing Betty Boop in Bimbo'southward Silly Scandals (1931), and connected with the office until 1938, returning l years later in Disney's Who Framed Roger Rabbit (1988). Today, Betty is voiced by Sandy Play a trick on and Cindy Robinson.[27]

Although Betty'south first proper name was assumed to have been established in the 1931 Screen Songs drawing Betty Co-ed, this "Betty" is a different character, which the official Betty Boop website describes equally a "prototype" of Betty Boop.[ citation needed ] At least 12 Screen Songs cartoons featured Betty Boop or a similar grapheme.

Betty appeared in the first "Color Classic" cartoon Poor Cinderella, her but theatrical color appearance in 1934. In the motion-picture show, she was depicted with red hair as opposed to her typical blackness hair.

Betty Boop was the star of the Talkartoons past 1932 and was given her own series that aforementioned twelvemonth, beginning with Stopping the Evidence. From that point on, she was crowned "The Queen of the Animated Screen". The serial was pop throughout the 1930s, lasting until 1939.

Contemporary resurgence [edit]

The Betty Boop films were revived after Paramount sold them for syndication in 1955. UM&M and National Telefilm Associates were required to remove the original Paramount logo from the opening and endmost, as well as any references to Paramount in the copyright line on the primary titles. However, the mount motif remains on some television prints, usually with a UM&G copyright line, while contempo versions have circulated with the Paramount-Publix reference in cartoons from 1931.

The original Betty Boop cartoons were made in black and white. As new color cartoons made specifically for television began to announced in the 1960s, the original black-and-white cartoons were retired. Boop's film career had a revival with the release of The Betty Boop Scandals of 1974, condign a role of the post-1960s counterculture. NTA attempted to capitalize on this with a new syndication bundle, but considering no market existed for cartoons in blackness and white, they sent them to South korea, where the cartoons were mitt-traced frame-past-frame in color, resulting in the deposition of the animation quality and timing. Unable to sell these to boob tube largely because of the sloppy colorization, they assembled a number of the color cartoons in a compilation characteristic titled Betty Boop for President, to connect with the 1976 election, just it did non receive a theatrical release.

The release of the films on video cassette for domicile viewing created a new market for the films in their original grade. The American Movie Classics cablevision tv set channel showcased a selection of the original black-and-white Betty Boop cartoons in the 1990s, which led to an eight-volume VHS and LV set, Betty Boop, the Definitive Collection. Some of the nonpublic-domain Boop cartoons copyrighted by Republic successor Melange Pictures (ViacomCBS's holding company that handles the Republic theatrical library) accept been released by Olive Films nether Paramount's license, while the Net Annal currently hosts 22 Betty Boop cartoons that are now public domain.

Planned feature appearances [edit]

In 1993, plans were fabricated for an animated feature picture of Betty Boop, merely they were afterwards cancelled. The musical storyboard scene of the proposed film tin exist seen online.[28] The finished reel consists of Betty and her estranged father performing a jazz number together chosen "Where are you?" Jimmy Rowles and Sue Raney provide the vocals for Betty and Benny Boop.

Producers Steven Paul Leiva and Jerry Rees began production on a new Betty Boop feature flick for the Zanuck Company and Metro-Goldwyn-Mayer. The script past Rees detailed Betty's rising in Hollywood in the Golden Age of Hollywood. Information technology was to be a musical with music by jazz musician Bennie Wallace and lyrics by Cheryl Ernst Wells. Wallace and Wells had completed several songs and 75% of the flick had been storyboarded when, two weeks earlier voice recording was to begin with Bernadette Peters equally Betty, the caput of MGM, Alan Ladd Jr., was replaced by Frank Mancuso, and the project was abandoned.

On August 14, 2014, Simon Cowell'due south Syco and Animate being Logic announced they were developing and producing a characteristic-length moving picture based on the graphic symbol.[29]

According to Playbill in 2012, a musical based on Betty Boop was "in the works", with music by David Foster and book past Oscar Williams and Emerge Robinson. No dates, theatre, or bandage were listed.[30]

Portrayal [edit]

Sex activity symbol [edit]

"The drawing of Betty Boop illustrates some human features which are sometimes labeled equally neotenous, such equally a large head, short artillery and legs relative to total height, and clumsy, child-like movements." —Barry Bogin[31]

Betty Boop is regarded as one of the first and best-known sex symbols on the animated screen;[32] she is a symbol of the Depression era, and a reminder of the more carefree days of Jazz Historic period flappers. Her popularity was drawn largely from developed audiences, and the cartoons, while seemingly surreal, contained many sexual and psychological elements[ description needed ], especially in the 1932 "Talkartoon" Minnie the Moocher (1932), featuring Cab Calloway and his orchestra.

Minnie the Moocher divers Betty'due south character every bit a teenager of a modern era, at odds with the quondam-world means of her parents. In the cartoon, after a disagreement with her strict parents, Betty runs abroad from home, accompanied by her boyfriend Bimbo, merely to get lost in a haunted cave. A ghostly walrus (rotoscoped from live-action footage of Calloway) sings Calloway's song "Minnie the Moocher", accompanied by several other ghosts and skeletons. This haunting functioning sends the frightened Betty and Bimbo back to the rubber of abode. "Minnie the Moocher" served equally a promotion for Calloway's subsequent stage appearances and as well established Betty Boop every bit a drawing star. The eight Talkartoons that followed all starred Betty, leading her into her ain series first in 1932. With the release of Stopping the Show (August 1932), the Talkartoons were replaced by the Betty Boop serial, which continued for the next seven years.[33]

Betty Boop was unique among female person cartoon characters because she represented a sexual adult female. Other female person drawing characters of the aforementioned menses, such as Minnie Mouse, displayed their underwear or bloomers regularly, in the style of childish or comical characters, not a fully defined woman's form. Many other female person cartoons were only clones of their male person co-stars, with alterations in costume, the addition of eyelashes, and a female voice. Betty Boop wore short dresses, high heels, a garter, and her breasts were highlighted with a depression, contoured bodice that showed cleavage. In her cartoons, male characters often effort to sneak a peek at her while she is irresolute or simply going most her business. In Betty Boop'southward Bamboo Isle, she does the hula wearing nix but a lei, strategically placed to embrace her breasts, and a grass skirt. This was repeated in her starting time cameo appearance in Popeye the Sailor (1933). A certain girlish quality was given to the graphic symbol. She was drawn with a head more similar to a baby'due south than an adult'southward in proportion to her body. This suggested the combination of girlishness and maturity that many people saw in the flapper type, which Betty represented.

While the character was kept pure and girl-like onscreen, compromises to her virtue were a challenge. The studio's 1931 Christmas card featured Betty in bed with Santa Claus, winking at the viewer. The Talkartoons The Bum Bandit and Empty-headed Ruby Riding Hood (both 1931) were given distinctly "impure" endings. Officially, Betty was but 16 years one-time, according to a 1932 interview with Fleischer (although in The Bum Bandit, she is portrayed every bit a married adult female with many children and with an developed woman'due south phonation, rather than the standard "boop-boop-a-doop" voice).[notes 2]

Attempts to compromise her virginity were reflected in Chess-Nuts (1932) and most importantly in Boop-Oop-a-Doop (1932). In Chess-Nuts, the Black King goes into the house where Betty is and ties her up. When she rejects him, he pulls her out of the ropes, drags her off to the bedchamber and says, "I will accept you". The bed, nevertheless, runs abroad and Betty calls for help through the window. Bimbo comes to her rescue, and she is saved before anything happens. In Boop-Oop-a-Doop, Betty is a loftier-wire performer in a circus. The ringmaster lusts for Betty as he watches her from below, singing "Do Something", a vocal previously performed by Helen Kane. Every bit Betty returns to her tent, the ringmaster follows her inside and sensually massages her legs, surrounds her, and threatens her task if she does not submit. Betty pleads with the ringmaster to cease his advances, as she sings "Don't Take My Boop-Oop-A-Doop Away". Koko the Clown is practicing his juggling outside the tent and overhears the struggle inside. He leaps in to salvage Betty, struggling with the ringmaster, who loads him into a cannon and fires it. Koko, who remained hiding inside the cannon, knocks the ringmaster out cold with a mallet, while imitating the ringmaster'south laugh. Koko then inquires most Betty's welfare, to which she answers in song, "No, he couldn't take my boop-oop-a-doop away". According to Jill Harness of Mental Floss, these portrayals of Boop fighting off sexual harassment on the animated screen made many see her as a feminist icon.[34]

Under the Production Code [edit]

The transformation from pre-Code to mail-Code

Betty Boop's best appearances are considered to exist in her first three years due to her "Jazz Baby" character and innocent sexuality, which was aimed at adults, but the content of her films was afflicted by the National Legion of Decency and the Production Lawmaking of 1934, which imposed guidelines on the move-picture industry and placed specific restrictions on the content films could reference with sexual innuendos. This greatly affected the Betty Boop cartoons.

No longer a carefree flapper from the engagement the code went into effect on July ane, 1934, Betty became a spinster housewife or a career girl who wore a fuller dress or skirt. Additionally, as time progressed, the curls in her hair gradually decreased in number. She as well somewhen stopped wearing her gilded bracelets and hoop earrings, and she became more mature and wiser in personality, compared to her before years. Right from the commencement, Joseph Breen, the new head picture censor, had numerous complaints. Breen ordered the removal of the suggestive introduction that had started the cartoons because Betty Boop'south winks and shaking hips were deemed "suggestive of immorality". For a few entries, Betty was given a new human boyfriend named Freddy, who was introduced in She Wronged Him Right (1934).[35] Side by side, Betty was teamed with a puppy named Pudgy, beginning with Betty Boop's Piddling Pal (1934).[36] The following twelvemonth saw the addition of the eccentric inventor Grampy, who debuted in Betty Boop and Grampy (1935).

While these cartoons were tame compared to her earlier appearances, their self-conscious wholesomeness was aimed at a more than juvenile audience, which contributed to the refuse of the series. Much of the decline was due to the lessening of Betty's role in the cartoons in favor of her co-stars, not to mention Fleischer's biggest success, Popeye. This was a similar trouble experienced during the same catamenia with Walt Disney's Mickey Mouse, who was becoming eclipsed past the popularity of his co-stars Donald Duck, Goofy, and Pluto.[37]

Since she was largely a musical novelty character, the animators attempted to proceed Betty's cartoons interesting past pairing her with pop comic strip characters such equally Henry, The Little King and Niggling Jimmy, hoping to create an additional spin-off serial with her pairing with Popeye in 1933. None of these films, though, generated a new serial. When the flapper/jazz era that Betty represented had been replaced past the large bands of the swing era, Fleischer Studios made an attempt to develop a replacement graphic symbol in this manner in the 1938 Betty Boop cartoon Betty Boop and Sally Swing, just it was not a success.

The last Betty Boop cartoons were released in 1939, and a few fabricated attempts to bring Betty into the swing era. In her last appearance, Rhythm on the Reservation (1939), Betty drives an open up convertible, labeled "Betty Boop'due south Swing Ring", through a Native American reservation, where she introduces the people to swing music and creates a "Swinging Sioux Band". The Betty Boop cartoon series officially ended with Yip Yip Yippy (1939). While Yip Yip Yippy appears at the end of the Betty Boop serial, it is actually a one-shot near a "Drug Store" mail-order cowboy "wannabe" without Betty, which was written mainly to fill the release schedule and fulfill the contract.[38]

Media [edit]

Television receiver [edit]

In 1955, Betty's 110 drawing appearances were sold to television set syndicator UM&M, which was acquired by National Telefilm Assembly (NTA) in 1956. NTA was reorganized in 1985 as Republic Pictures, which folded in 2012, and became Melange Pictures, a subsidiary of ViacomCBS, the parent company of Paramount. Paramount, Boop'south original home studio (via Melange/ViacomCBS), at present acts as a theatrical distributor for the Boop cartoons that they originally released. Idiot box rights are at present handled on Paramount's behalf by Trifecta Entertainment & Media, which in turn were inherited from CBS Tv set Distribution (now currently renamed as CBS Media Ventures since 2021), successor to various related companies, including Worldvision Enterprises, Republic Pictures Telly, and NTA.

Betty Boop appeared in ii television specials, The Romance of Betty Boop in 1985,[39] which was produced past Lee Mendelson and Bill Melendez, the aforementioned creative team behind the Peanuts specials; and 1989's The Betty Boop Motion picture Mystery [40] and both specials are available on DVD as part of the Advantage Drawing Mega Pack. She has made cameo appearances in television commercials and the 1988 feature moving picture Who Framed Roger Rabbit. While tv revivals were conceived, null has materialized from the plans.

On February 11, 2016, Deadline announced that a new 26-episode television set series focusing on Betty Boop is in production, in partnership with Normaal Animation, Fleischer Studios, and King Features. The show was to be aimed towards the tween and teenaged audiences. The show'southward premise, co-ordinate to the article, volition "recount the daily struggles, joys, and victories of young Betty Boop, who has every intention of beingness on phase and becoming a superstar".[41]

Home media [edit]

While the animated cartoons featuring Betty Boop have enjoyed renewed attention over the concluding xxx years, official dwelling-video releases have been limited to the VHS and LaserDisc collector's sets in the 1990s. No such releases for the Betty Boop cartoons on DVD and Blu-ray were made until 2013, when Olive Films finally released the nonpublic domain cartoons, although they were restored from the original television set internegatives that carried the contradistinct opening and closing credits.[42] Volume 1 was released on Baronial 20, 2013, and book ii on September 24, 2013. Volume three was released on April 29, 2014, and volume 4 on September 30, 2014.

Comics [edit]

The Betty Boop comic strip past Bud Counihan (assisted past Fleischer staffer Hal Seeger) was distributed by King Features Syndicate from July 23, 1934, to Nov 28, 1937.[43] From Nov 19, 1984 to January 31, 1988, a revival strip with Felix the Cat, Betty Boop and Felix, was produced past Mort Walker's sons Brian, Neal, Greg, and Morgan.[43] [44] In 1990, Showtime Comics published Betty Boop'southward Big Break, a 52-folio original graphic novel by Joshua Quagmire, Milton Knight, and Leslie Cabarga. In 2016, Dynamite Entertainment published new Betty Boop comics with 20 pages in the alternative American anime graphic novel style.

Bud Counihan'due south Betty Boop (October 23, 1934)

Merchandise [edit]

A display of Betty Boop collectibles

Marketers rediscovered Betty Boop in the 1980s, and Betty Boop merchandise has far outdistanced her exposure in films, with many not aware of her every bit a cinematic cosmos. Much of this current merchandise features the character in her popular, sexier form, and has become popular worldwide once again.[ citation needed ]

In 2010, Betty Boop became the official fantasy cheerleader for the upstart United Football League. She was featured in trade targeted towards the league'due south female demographic.[45]

As of 2021, international licensing company Global Icons has caused the licensing rights to Betty Boop and other Fleischer Studios characters, thus catastrophe Fleischer's longtime relationship with King Features Syndicate.[46]

Legal problems [edit]

Helen Kane lawsuit [edit]

In May 1932, Helen Kane filed a $250,000 infringement lawsuit against Max Fleischer and Paramount Publix Corporation for the "deliberate caricature" that produced "unfair competition", exploiting her personality and prototype. While Kane had risen to fame in the late 1920s as "The Boop-Oop-a-Doop Girl", a star of stage, recordings, and films for Paramount, her career was nearing its end by 1931. Paramount promoted the evolution of Betty Boop following Kane's refuse. The instance was brought in New York in 1934. On April xix, Fleischer testified that Betty Boop purely was a production of the imaginations of himself and detailed by members of his staff.[47] [48]

Theatrical manager Lou Bolton testified that Kane had witnessed an African-American performer, Baby Esther, using a like vocal way in an act at the Everglades Restaurant club in midtown Manhattan, in "April or May 1928".[49] : 184–185, 187–188 Nether cross-examination Bolton said that he had met with Kane at the gild after Esther's performance, but could not say when she had walked in.[50] Bolton likewise stated that Fleischer's lawyers had paid him $200 to come to New York.[51] Baby Esther's name was given in the trial as Esther Jones. (During the trial, Lou Bolton, who was Esther Jones' managing director, also testified his belief that she was probably in Paris[49] : 185–186 .) An early test audio film, now lost, was likewise discovered, which featured Baby Esther performing in this style, which was introduced every bit evidence.[52] In the film, Babe Esther sings 3 songs that had before been popularized by Helen Kane – "Don't Be Similar That", "Is There Anything Wrong with That?", and "Wa-da-da" – which writer Marking Langer says "was hardly proof that Helen Kane derived her singing style from Baby Esther".[53] Jazz studies scholar Robert O'Meally stated this evidence, though, might very well take been cooked up by the Fleischers to discredit Kane, whom they afterward admitted to have been their model for Betty Boop.[54] O'Meally too questioned if some sort of bargain existed between Fleischer Studios and Bolton, and questioned if Esther were always paid for her presumed loss of revenue. [55]

New York Supreme Court Justice Edward J. McGoldrick ruled, "The plaintiff has failed to sustain either cause of action by proof of sufficient probative force". In his stance, based on the totality of the evidence presented in the trial, the "baby" technique of singing did not originate with Kane.[56] [57] No confirmed recordings of Jones are known to exist.[58]

Lawsuits and current ownership [edit]

Ownership of the Boop cartoons has inverse easily over the intervening decades due to a serial of corporate mergers, acquisitions, and divestitures mainly involving Republic Pictures and the 2006 corporate split of parent visitor Viacom into ii separate companies. Equally of the present, Olive Films (under license from Paramount) holds home video rights and Trifecta retains television rights.

The rights to the "Betty Boop" character were not sold with the cartoons by Paramount, but were transferred to Harvey Films, Inc. in 1958, according to a 2011 US Court verdict.[59] [60] The courts, nonetheless, were unable to come up to a bulk decision concerning electric current ownership of the copyright.[61] A trademark on the name (only non legitimately the likeness) of Betty Boop is endemic by Fleischer Studios, for which the character was created in the 1930s, but which was unable to claim copyright infringement in a 2008 district court case;[62] the merchandising rights to Betty's name are licensed to King Features Syndicate.[59] [60]

Legacy and revivals [edit]

Betty Boop's popularity continues well into modern-day civilization, with references appearing in the comic strip Doonesbury, where the character B.D.'south busty girlfriend/wife is named "Boopsie" and the blithe reality TV spoof Fatigued Together, where Betty is the inspiration for Toot Braunstein. The 1980s rapper Betty Boo (whose voice, image, and proper name were influenced by the cartoon graphic symbol) rose to popularity in the U.k. largely due to the "Betty Boop" revival. The 1933 Betty Boop cartoon Snow-White (not to be dislocated with Disney's movie Snow White and the Seven Dwarfs, 1937) was selected for preservation by the U.S. Library of Congress in the National Picture Registry in 1994. In 1988, Betty appeared in Who Framed Roger Rabbit, during the Ink and Pigment social club scene where she says a line that is a reference to how her original voice thespian is all the same voicing her in that scene. In 1996, Betty was parodied on Animaniacs in "Girl with the Googily Goop", with the Boop grapheme chosen "Googi Goop". The episode, which was made predominantly in blackness and white, is also a parody of "Little Crimson Riding Hood", with the girl having to become to her grandma's firm and ending up being kidnapped. Googi's voice was provided by erstwhile Betty Boop vocalisation extra Desirée Goyette. I of the main characters of the 2012 film American Mary is a woman who has had all-encompassing plastic surgery to resemble Betty Boop. In June 2012, Betty Boop was reportedly chosen alongside top model Daria Werbowy to star in a Idiot box commercial for the Lancôme latest lash tool, Hypnôse Star Mascara. The commercial was released on July 2, 2012, and was directed by Joann Sfar.[63] In March, 2017, Betty appeared with manner designer Zac Posen in an animated promotional brusk produced past King Features Syndicate, Fleischer Studios (its subsidiary) and Pantone.[64]

In April 2011, Funny or Die parodied the grapheme in a trailer spoof for a film called Boop, with Rose McGowan every bit Betty.[65]

Accolades [edit]

  • In 2002, Betty was voted in TV Guide 'southward fifty greatest cartoon characters of all time, ranking #17.
  • In 2004, Betty Boop was voted among the "100 Greatest Cartoons" in a poll conducted past the British television channel Channel 4, ranking at #96.[66]
  • In March 2009, a UK newspaper voted Betty Boop the second sexiest cartoon graphic symbol of all time, with Jessica Rabbit in first place and the Cadbury's Caramel Bunny in third.[67]
  • In August 2010, the inaugural Betty Boop Festival was held in the city of Wisconsin Rapids, Wisconsin, and the 2nd Festival was held in July 2011.[68]

Filmography [edit]

References [edit]

Informational notes

  1. ^ "Grim Natwick in New York – Part One: The Early Years" [ expressionless link ] , an exhibit of the ASIFA-Hollywood Animation Archive, a 501(c)3 museum and archive. (November 3, 2007) Quote: "One mean solar day, Dave Fleischer handed Grim a photograph of singer, Helen Kane and asked him to design a caricature. Fleischer had found a sound-alike, and planned to use her in the upcoming Talkartoon, "Light-headed Dishes". Grim exaggerated Kane's wide eyes and rosebud mouth, creating a slightly coarse, but strikingly original design. A few weeks later, Dave asked Grim to pattern a girlfriend for Bimbo to star as the "fair young maiden" in a cartoon adaptation of the popular song, 'Barnacle Nib the Crewman'. Grim streamlined and refined his caricature of Kane for the office. Just Dave Fleischer objected, insisting that since Bimbo was a domestic dog, his girlfriend should also be a dog. Grim quickly sketched Betty Boop'southward head on a four-legged canine trunk. He held upwardly the cartoon next to the pretty girl pattern, and asked, 'Which would you rather have as your girlfriend? A girl? Or a dog?' Dave laughed and agreed that the pretty girl was the correct choice."
  2. ^ Ben Zimmer notes that the syncopation of "goo-goo-ga-joob" in John Lennon's song I Am the Walrus from the Beatles' album Magical Mystery Tour and "coo-coo-ca-choo" from Simon & Garfunkel's song "Mrs. Robinson" on their album Bookends is the same equally Boop'southward "boop-boop-a-doop" or "boop-boop-exist-doop". The same pattern was used in the sung "la-da-di-dah" introduction to the "Laugh-In Looks at the News" segments on Rowan & Martin'southward Express joy-In. Zimmer, Ben (November 2011) "The Delights of Parsing the Beatles' Most Nonsensical Song" The Atlantic

Citations

  1. ^ a b c d e f g h i j k l m n "Vocalization(south) of Betty Boop". Backside the Voice Actors . Retrieved May 16, 2021.
  2. ^ "Finding Her Voice". Fleischer Studios Incorporated. Fleischer Studios, Inc. and TM Fleischer Studios, Inc. Retrieved February 5, 2016.
  3. ^ "Nihon Betty Boop Tweet Tweet Tweet (1934)". Internet Archive. Retrieved May 16, 2021.
  4. ^ "On heels of new 'Grease' edition, Didi Conn recalls how her voice led to role as Frenchy". Inquirer.com. Retrieved May xvi, 2021.
  5. ^ "Starlog Magazine Issue 127". Net Archive. Retrieved May 16, 2021.
  6. ^ Archived at Ghostarchive and the Wayback Machine: "The unproduced Betty Boop movie - Where Are Yous?". YouTube. Retrieved May 16, 2021.
  7. ^ Archived at Ghostarchive and the Wayback Machine: "Sue Raney & Jimmy Rowles - Where Are You?". YouTube. Retrieved May sixteen, 2021.
  8. ^ "Cheryl Chase - Other Works". IMDb. Retrieved May 16, 2021.
  9. ^ "Cheryl Chase". Voice123. Retrieved May 16, 2021.
  10. ^ "Garnier". Behind The Voice Actors . Retrieved October 31, 2020.
  11. ^ "Slots from Bally Gaming". Backside The Vocalisation Actors. Behind The Voice Actors. Retrieved March 30, 2019.
  12. ^ "Audio Web log #13: [Title WITHHELD ON ADVICE OF COUNSEL]". Jason Robert Dark-brown. October 26, 2009. Retrieved August 23, 2020.
  13. ^ "Sammy Timberg - Boop-Oop-A-Dooin' The Songs Of Sammy Timberg From Betty Boop, Popeye, Superman And Other Musical Classics (2004, CD)". Discogs. Retrieved May 16, 2021.
  14. ^ "Boop-Oop-A-Dooin' past Fred Seibert". SoundCloud. Retrieved May 16, 2021.
  15. ^ "Dan-E". Behind The Vox Actors . Retrieved Oct 31, 2020.
  16. ^ Archived at Ghostarchive and the Wayback Machine: "Family Guy: How Betty Boop Got Her Proper name". YouTube. Retrieved October 31, 2020.
  17. ^ Halley, Heather [@heatherhalley] (March 17, 2014). "Betty Boop Dance Card Trailer: (link: youtu.be/5ZFFcqYJ8OY) youtu.be/5ZFFcqYJ8OY via @YouTube Honored to exist voicing Betty Boop. This May 2014 iPhone/iPad game app" (Tweet). Retrieved July seven, 2014 – via Twitter.
  18. ^ "Gary Lucas' Fleischerei, "The Cleaved Tape" from 'Music from Max Fleischer'southward Cartoons'". SoundCloud. Retrieved May 16, 2021.
  19. ^ Fleischer, Richard (2005). Out of the inkwell: Max Fleischer and the animation revolution . University Press of Kentucky. p. 52. ISBN978-0-8131-2355-four. he, Max Fleischer, was the sole creator ... best-selling that many animators contributed ... not just Natwick, but likewise Seymour Kneitel, Myron Waldman, ...
  20. ^ Pointer (2017)
  21. ^ "Myron Natwick, 100; Animated Betty Boop". The New York Times. Associated Press. October x, 1990. p. B-24. Retrieved July ane, 2009.
  22. ^ Lenburg, Jeff (1999). The Encyclopedia of Blithe Cartoons . Checkmark Books. pp. 54-56. ISBN0-8160-3831-vii . Retrieved June 6, 2020.
  23. ^ "Fleischer Studios v. Ralph A. Freundlich, Inc., 5 F. Supp. 808, 809 (S.D.Due north.Y. 1934)". Retrieved February 20, 2014.
  24. ^ See, for instance, the passing mention in McGuire, Carolyn. "Will Betty Boop Be A Large Striking as 'It?'" Chicago Tribune (March xx, 1985), a blurb for a television program
  25. ^ Supreme Court Appellate Division- Commencement Section. N.p., n.p.
  26. ^ Pointer, Ray (2017). The Art and Inventions of Max Fleischer: American Animation Pioneer. McFarland & Co. p. 116. ISBN978-1476663678.
  27. ^ "Archived copy". Archived from the original on December 26, 2013. Retrieved February 7, 2014. {{cite web}}: CS1 maint: archived copy as championship (link)
  28. ^ "Moore Studios". Archived from the original on May 12, 2013.
  29. ^ McNary, Dave (August 14, 2014). "Betty Boop Movie in the Works With Simon Cowell". diversity.com. Variety. Retrieved August 15, 2014.
  30. ^ "Schedule of Upcoming Broadway Show: In the Works" on Playbill.com. Accessed: June xix, 2012
  31. ^ Barry Bogin (1999). Patterns of Human Growth. Cambridge Academy Press. p. 159. ISBN978-0-521-56438-0.
  32. ^ Barboza, David (January xix, 1988). "Video Globe Is Smitten by a Gun-Toting, Tomb-Raiding Sex Symbol". The New York Times. p. D3. Retrieved July 1, 2009.
  33. ^ Morris, Chris (June 19, 2010). "Selected short discipline: "Minnie the Moocher"".
  34. ^ Harness, Jill. "Happy Belated Birthday, Betty Boop!". mental floss. Retrieved July 21, 2015.
  35. ^ Pointer, Ray (2017). The Art and Inventions of Max Fleischer: American Animation Pioneer. McFarland & Co. p. 106. ISBN978-1476663678 . Retrieved February nine, 2020.
  36. ^ Pointer, Ray (2017). The Art and Inventions of Max Fleischer: American Animation Pioneer. McFarland & Co. p. 107. ISBN978-1476663678 . Retrieved Feb nine, 2020.
  37. ^ Coletta, Charles (2002). "Betty Boop". St. James Encyclopedia of Popular Civilization. Archived from the original on July 10, 2012.
  38. ^ Pointer (2017), p. 111
  39. ^ The Romance of Betty Boop at IMDb
  40. ^ The Betty Boop Murder Mystery at IMDb
  41. ^ Petski, Denise (February 11, 2016). "Betty Boop To Star In New Blithe Serial From 'Peanuts' Producers". Deadline . Retrieved October 22, 2019.
  42. ^ Kehr, Dave (August 16, 2013). "Boop-Boop-a-Doo on Blu-ray". The New York Times . Retrieved July 22, 2021.
  43. ^ a b Holtz, Allan (2012). American Paper Comics: An Encyclopedic Reference Guide. Ann Arbor: The University of Michigan Printing. p. 71. ISBN978-0472117567.
  44. ^ Strickler, Dave (1995). Syndicated Comic Strips and Artists, 1924–1995: The Complete Alphabetize . Cambria, Calif.: Comics Access. ISBN0-9700077-0-one. OCLC 33053636.
  45. ^ UFL PR: Betty Boop Official Fantasy Cheerleader of UFL – Alternative League Access – Culling League Access Archived 2013-12-xv at the Wayback Machine
  46. ^ "Betty Boop Sashays into Global Icons Partnership". January thirteen, 2021.
  47. ^ The Table salt Lake Tribune, April nineteen, 1934
  48. ^ The Paris News, April 19, 1934
  49. ^ a b Taylor, James D. Jr. (2017). Helen Kane and Betty Boop: On Stage and On Trial. Algora. ISBN9781628942996.
  50. ^ ''Helen Kane and Betty Boop. On Stage and On Trial. James D. Taylor Jr. Algora Publishing, New York. 2017'' pp.187–188
  51. ^ ''Helen Kane and Betty Boop. On Phase and On Trial. James D. Taylor Jr. Algora Publishing, New York. 2017'' p.192
  52. ^ Pointer, Ray (2017). The Art and Inventions of Max Fleischer: American Animation Pioneer. Jefferson, NC: McFarland. p. 100. ISBN 147666367X.
  53. ^ Langer, Mark (Winter 2005). "Birth of the Boop". Society for Animation Studies newsletter, Volume eighteen, Effect 1.
  54. ^ O'Meally, Robert (2004). Uptown chat: the new jazz studies. Columbia University Printing. p. 295. ISBN978-0231123518.
  55. ^ O'Meally, Robert (2004). Uptown conversation: the new jazz studies. Columbia Academy Press. p. 295. ISBN978-0231123518.
  56. ^ The Mansfield News, May v, 1934.
  57. ^ Taylor Jr., James D. (2017). Helen Kane and Betty Boop: On Stage and On Trial. Algora. p. 208.
  58. ^ Blakemore, Erin [i] "The People v. Betty Boop"
  59. ^ a b "Fleischer Studios, Inc. v. A.V.E.L.A., Inc., et al., No. 09-56317 (9th Cir. 2011)". Justia Law.
  60. ^ a b "Fleischer Studios, Inc. v. A.Five.E.Fifty.A., Inc. Transcript of the verdict, US Courts, p. seven" (PDF).
  61. ^ Hull, Tim (February 24, 2011). "Courtroom Says Correct to Betty Boop Is Anyone'southward Approximate".
  62. ^ "Fleischer Studios, Inc., Plaintiff, v. A.V.E.L.A., Inc.; Artnostalgia.Com, Inc.; X One 10 Movie Archive, Inc.; Beverly Hills Teddy Bear Co.; Leo Valencia, Defendants 772 F. Supp. second 1135 Case No. 2:06-cv-06229-FMC-MANx December. sixteen, 2008 United States District Court, C.D. California". December 16, 2008. Neither NTA'due south 1972 acknowledgment in a letter nor the 1997 settlement agreement between Republic and Plaintiff effected a transfer of rights that are good equally confronting the globe. At almost, these documents evidence the parties' recognition of rights effective merely between the parties. Moreover, neither political party to the instant litigation has argued or established that the rights in the original graphic symbol were or are severable from the works in which the original Betty Boop appears.
    Accordingly, Plaintiff has not demonstrated a concatenation of title in the relevant drawing films or the component parts thereof that leads to and terminates with Plaintiff. Stated otherwise, Plaintiff has not established its ownership of the Betty Boop cartoon character. Accordingly, Plaintiffs' Motility for Summary Judgment and Permanent Injunction is DENIED with respect to Plaintiffs copyright infringement claim, and Defendants' Motion for Summary Judgment is GRANTED with regard to Plaintiffs copyright infringement claim.
  63. ^ Betty Boop, Daria Werbowy Team for Lancome Advertising. elle.com. Retrieved 2013-04-19.
  64. ^ Team, Editorial. "Zac Posen Is the Star of New Blithe Betty Boop Video, Promoting New Dress Collection".
  65. ^ "Boop with Rose McGowan" from Funny or Die (Apr 18, 2011)
  66. ^ The U.k.'s 100 Greatest Cartoons! (February 27, 2005). "The UK's 100 Greatest Cartoons!". Blithe Views. Retrieved January fourteen, 2022.
  67. ^ "Caramel Bunny Amongst Sexiest Cartoons", Edinburgh Evening News, Johnston Press, March three, 2009, retrieved January 1, 2017
  68. ^ "Folio four". www.bettyboopfestivalwi.com.

Bibliography

  • Arrow, Ray (2017) The Art and Inventions of Max Fleischer: American Animation Pioneer North Carolina: McFarland Books. ISBN 978-1-4766-6367-8
  • Taylor, James D. Jr. (2017) Helen Kane and Betty Boop. On Stage and On Trial. New York: Algora Publishing. ISBN 978-1-62894-297-two

Further reading

  • Betty Boop: The Definitive Collection, Volumes 1–8 (VHS)
  • Ellis, Leonard (2003). The Definitive Guide to Betty Boop Memorabilia, Hobby House Press ISBN 9780875886473. 144 pages, softcover. Hundreds of pictures and description of memorabilia.
  • Solomon, Charles (1994). The History of Blitheness: Enchanted Drawings. Outlet Books Company.
  • Taylor, James D. Jr. (2016) The Voice of Betty Boop, Mae Questel. New York: Algora Publishing. ISBN 978-1-62894-204-0

External links [edit]

  • Official website Edit this at Wikidata
  • List of public domain Betty Boop cartoons online
  • Betty Boop at the Big Cartoon DataBase
  • Betty Boop at Don Markstein's Toonopedia. Archived from the original on Feb 22, 2018.
  • Betty Goes A-Posen (promotional curt for Zac Posen dresses)

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